Negative Being The Body-without-Organs (BwO) is like the Tao, in that it just about always escapes definition, always evading the words. In simple terms, it is like a sheet of white paper. In more complex terms it is like “union” […]
On Bodies, Musical Bodies, Dancing Bodies, and Bodies without Organs
“If there is a modern age, it is, of course, the age of the cosmic.” (Deleuze and Guattari, A Thousand Plateaus) Gilles Deleuze (1925-1995) and Félix Guattari (1930-1992) are among the few contemporary thinkers who incorporate cosmological questioning into their
Gilles Deleuze, Félix Guattari, and Cosmic Art
We’ve all become mere data points in the consumption cycle, our dividual lives of labor running the course of commodity production and exchange as informational agents and products in a knowledge economy. Sipping at the brothel of capital, neither prostitute
Lost in the Maze: Futurity and the Inhuman Economy
Quant-Theorie: Zwischen Pataphysik, Quanten-Science und Philosophie Exkurs zum Begriff der Relation Exkurs zu Thomas Nails „Being and Motion“ Laruelle: Adorno und Laruelle: Das Nichtidentische und das Reale Ein philosophischer Dissident Aspekte der Non-Standard-Philosophie Das Ende der dialektischen Konstellation Das Reale
Quant-Theorie: Aufsätze zu Baudrillard, Deleuze/Guattari und Laruelle
What is Rhythm? What is Rhythm? Rhythm is a temporally extended pattern in which information-transmitting processes take place. It can be described by the following parameters: spatial (distance, movement, neighbourhood), temporal (speed, limit of human perception, infinite time scales versus
Ultra-blackness in Music. A Non-Mixology
Those who live in closure or enclosure consume the supply and parasitise on that which justifies the closure of the system. It is the happy parasite who closes the system and for whom it is closed. Now, for Erdedy, the
David Foster Wallace’s Infinite Jest. The intoxicating beauty of emptiness.
Subjektivät bei Adorno und Anders Das Dividuum ist der Hohn auf den Anti-Narziss. Es ist die Ausgeburt der Hyper-Dialektik. Eins teilt sich in Zwei. Kann sich der Narziss im Spiegelbild nur zweimal verlieren, indem die Ursache zur Wirkung und das
Subjektivität und Maschinisierung. Von Adorno zu Deleuze/guattari
1) Subjectivity: Adorno and Günther Anders The dividuum is the mockery of the anti-narcissist. It is the spawn of the hyper-dialectic. One divides into two. If the narcissist can only lose himself twice in the mirror image, in that the
Subjectivity and Machines: From Adorno to Deleuze/Guattari
Everything becomes imperceptible, everything is becoming-imperceptible on the plane of consistency, which is nevertheless precisely where the imperceptible is seen and heard. It is the Planomenon, or the Rhizosphere, the Criterium (and still other names, as the number of dimensions
The Technocommercium: Assemblages of the Mechanosphere
The flow of subjective labor and the flow of objective capital. At the moment, more precisely, in the passage of time (which has extended over longer historical periods) in which intrinsically contingent encounters (those of the flows of money-capital and
Capital theory with Deleuze/Guattari or the Anarchy of Machines – 50 years Anti-Ödipus
We respond to a phenomenological challenge set forth in Thomas Nagel’s “What Is It Like To Be a Bat?,” namely, to seek a method for obtaining a phenomenological description of non-humananimal experience faithful to an animal’s first-person subjective perspective. First,
What Is It Like To Become a Rat? Animal Phenomenology through Uexküll and Deleuze & Guattari
Counter-dancing greets the philosophers Felix Guattari and Gilles Deleuze. It resonates with the principle of rhizomatic action. Rhizomatic dancing links one’s selves, joys and desires coupled with capitalistic technology with those of others in a flat manner. Read here and