Jose Rosales

The Girl With the Bomb, The Guardian of Dynamite: Notes on the politics of becoming-woman

The Girl With the Bomb, The Guardian of Dynamite: Notes on the politics of becoming-woman Posted on November 28, 2017 by youandwhosearmy?   [Excerpt from a piece on D&G, gender, struggle, and communism as the real movement that abolishes itself and the

The Girl With the Bomb, The Guardian of Dynamite: Notes on the politics of becoming-woman

On the End of History & the Death of Desire (Notes on Time and Negativity in Bataille’s ‘Lettre á X.’)

To continue from our conclusions regarding the question of what it would mean to love as a communist, we begin from the idea that abolition is what necessary binds communism as real movement to problems encountered in the life of

On the End of History & the Death of Desire (Notes on Time and Negativity in Bataille’s ‘Lettre á X.’)

What would it mean to love as a Communist? To love as a comrade?

  ———————————————————————————————- This is a modified excerpt from a forthcoming publication of a roundtable discussion with Jules Joanne Gleeson, Andrew Culp, and myself. The full transcript will be able to be found in the forthcoming issue of Identities Journal. ——————————————————————————————– Q.

What would it mean to love as a Communist? To love as a comrade?

Guattari & Italy’s “Hot Autumn”

Guattari was dreaming of building a federation of regional protest movements, which could open up secondary fronts and weaken the Nation-State. Despite his extensive network of contacts, he never managed to realize this perilous project, which was located on the

Guattari & Italy’s “Hot Autumn”

From a Philosophically Clean-Shaven Marx to a Philosophically Decolonized Deleuze

[This is a really rough outline/introductory sketch for the third chapter of my dissertation, which takes up the relationship between the persisting residual eurocentrism in specific interpretations of D&G’s political project, and how D&G themselves constructed a framework by which

From a Philosophically Clean-Shaven Marx to a Philosophically Decolonized Deleuze

The Circulation of Desire: The Emergence of Underground Music Culture In The 1970’s and Deleuze and Guattari (Part I)

(A project which is a few years old, but have been meaning to return to) The project embarked upon by Michel Foucault in The History of Madness was an archeological understanding of the transition/translocation of the ‘madman,’ from the Classical

The Circulation of Desire: The Emergence of Underground Music Culture In The 1970’s and Deleuze and Guattari (Part I)

We do not know what a (cinematic) body can do: Reconsidering Deleuze’s and Patton’s reception of Godard in the Age of Control Societies

The aim of this essay is to interrogate the relationship between Deleuze’s concepts of Idea, creativity, and control societies, alongside its interpretation by Paul Patton and Godard’s efficacy at giving these concepts their proper audio-visual form in cinema. By means of

We do not know what a (cinematic) body can do: Reconsidering Deleuze’s and Patton’s reception of Godard in the Age of Control Societies

Bergsonian Science-Fiction: Kodwo Eshun, Gilles Deleuze, & Thinking the Reality of Time

  To be more precise, science fiction is neither forward-looking nor utopian.  Rather, in William Gibson’s phrase, science fiction is a means through  which to preprogram the present […] Science fiction operates through  the power of falsification, the drive to

Bergsonian Science-Fiction: Kodwo Eshun, Gilles Deleuze, & Thinking the Reality of Time

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