“Clicks’n’cuts is not a genre”

 What are the tactics of imperceptibility and opacity that appear independent of the forces and relations of capital and are useful for the destruction of this world? The zones of imperceptibility and opacity are less features of reality that can be applied in any situation, but are instruments that are there to fight against this world. It is precisely in this situation that we find ourselves empowered to confront ourselves with the daily rhythms of capital, some of which are also those of its music, and the apparatuses of the state. To abandon the street because it is at the mercy of the military, and to want to replace it with the club or the rave, as Eshun demands, means to simulate the uprising, to only enjoy the cyberactive war-machines of Underground Resistance or Public Enemy, while the logistic cyber-infrastructure of capital and its interruption is not an issue. Although communication is interrupted or derealized when sonic forms attack power or even deprogram programmers, isn’t it the mutual feeding of sound and sonic-fiction that leads to label fictions that have either vanished in the meantime or are  today wallowing in the gambling hell of the entertainment industry?

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