… Among other things, whiteness is a kind of solipsism. From right to left, whites consistently and successfully reroute every political discussion to their identity. The content of this identity, unsurprisingly, is left unexamined and undefined. It is the false […]
More specifically, however, the primary confusion here is that I included denationalized refugees in the category of the proletariat when in fact many, but not all, of these refugees did not work. While many worked illegally, there were and are
Figures of the migrant: Structure and resistance
Fanon’s significance to the present moment seems to me to hinge in large part on his identification of the lumpenproletariat as revolutionary subject, an identification that was anathema then (and largely remains so now) to traditional Marxism. Surely all remember
FANON: ABSORPTION AND COLONIALITY
WHAT IS ALIENOCENE? ∞ Alienocene, first announcement: Theoretical, artistic, political, and scientific, Alienocene is an electronic journal that gathers texts, sounds, and images seeking to reshape the relation between the human and the inhuman, the terrestrial and the extraterrestrial, the
Alienocene, the Journal of the First Outernational.
Of course, mystery actually requires a measure of the concrete if it is to be perceived at all; otherwise it is only a void, the void. The thinnest mixture of this mortar, I suppose, is contained in that most basic source
Thomas Ligotti: Dark Phenomenology and Abstract Horror
Thomas Dekeyser: I read your book Dark Deleuze as a two-fold intervention: into Deleuzian scholarship and into radical political thought. I would like to first hone in on the former. You suggest the majority of Deleuzian scholarship has been overwhelmed
Aesthetics is a recurring theme in Laruelle’s work. He has written two short books on photography and has several essays on art and related topics, including texts on color, light, seeing, drawing, dance, music, and technology. But what is technology,
Siks, Frankfurt: Donnerstag 6.4., ab 19:00 Uhr Siks: here The Ultrablack of Music In einem parcours de force durchschreitet Achim Szepanski in dem kurzen Text “Ultrablackness in der Musik. Eine Non-Remixologie” Aspekte der elektronischen Musik bei Deleuze/Guattari und François Laruelle, fragt
The Ultrablack of Music/Lesung
“Sensory language leaves us with no habit for lying. We are hostile aliens, immune from dying.” – The Spaceape If accelerationism has a key idea, it is that it is either impossible or undesirable to resist or negate the development
In der Tat hat Badious neues Buch Black. The Brilliance of a non-color, das 21 Aphorismen zum „Thema“ Schwarz enthält, etwas von der persönlichen Philosophie eines Maurice Blanchot. Während aber Blanchot vom schwarzen Licht spricht, das – paradox genug –
Badious “Black”. Die Brillianz einer Nicht-Farbe. (1)
Version 1 Black Dada antwortet mit Grausamkeit. Entwickelt einen Geschmack für die Destruktion. Geschmack an der Destruktion einer Welt, die im Nanosekundenbereich heißgelaufen ist. Einer Welt, die mal wieder ihre Kriege hat. Manche Städte werden von Kampfflugzeugen bombardiert, andere von
Blackness in Zeiten, in denen jeder das Ende der Welt in der Hand haben will.
DADA DADA! Silver Series Super Dada Dada ShowDada Photo: Wilhelm Reich als Kind um 1900LYDIA LUNCH & WEASEL WALTER // THE LIVING DEADS // MONA D // KAI SÖLTNER LIONEL RÖHRSCHEID // TRASHLAND // TRAUMA XP // ACHIM SZEPANSKI JULIA