deleuze/guattari

Buchpräsentation “Dark Deleuze”

Montag 27.3. , bbooks, Lübbenerstr.14, 10997 Berlin Buchvorstellung: Andrew Culp “Dark Deleuze” mit Jose Rosales und Achim Szepanski (plus Skype-Talk mit Andrew Culp) Ein revolutionärer Deleuze, der einer Welt der verpflichtenden Happiness, der dezentralisierten Kontrolle und der Überbewachung zugeneigt ist? […]

Buchpräsentation “Dark Deleuze”

Buchpräsentation Ultrablackness of Music: Feindliche Übernahme

Echo Bücher, Berlin here Ultrablackness of Music: Feindliche Übernahme Andrzej Steinbach & Achim Szepanski Buchpräsentation / Installation DJ Bleed Mittwoch 29. März, 19:00 Uhr In einem parcours de force durchschreitet Achim Szepanski in dem kurzen Text “Ultrablackness in der Musik.

Buchpräsentation Ultrablackness of Music: Feindliche Übernahme

Dark Deleuze: Netzwerkpessimismus, radikale Ökonomiekritik und subtraktive Negativität

Beitrag gehalten am 27.3.2017 bei bbooks Berlin Soweit es um die Deleuze-Forschung geht, ist Dark Deleuze wahrlich eine Studie der Häresie, insofern Andrew Culp Deleuze keineswegs wie so viele andere Kommentatoren, die dem kalten Rausch der Transformation des poststrukturalistischen Denkens

Dark Deleuze: Netzwerkpessimismus, radikale Ökonomiekritik und subtraktive Negativität

Technodeleuze and Mille Plateaux. Achim Szepanski’s Interview (1994-1996)

Achim Szepanski has been one of the “heroes” of the ‘90s thanks to the creation and the visionary promotion of his Mille Plateaux (1994-2004), the famous record label based in Frankfurt. Due to his peculiar philosophical theory applied to the

Technodeleuze and Mille Plateaux. Achim Szepanski’s Interview (1994-1996)

We do not know what a (cinematic) body can do: Reconsidering Deleuze’s and Patton’s reception of Godard in the Age of Control Societies

The aim of this essay is to interrogate the relationship between Deleuze’s concepts of Idea, creativity, and control societies, alongside its interpretation by Paul Patton and Godard’s efficacy at giving these concepts their proper audio-visual form in cinema. By means of

We do not know what a (cinematic) body can do: Reconsidering Deleuze’s and Patton’s reception of Godard in the Age of Control Societies

A Conspiracy Against the World: Comments on Andrew Culp’s “Dark Deleuze”

“We do not lack communication,” Gilles Deleuze and Felix Guattari wrote in What Is Philosophy?, their final joint text. “On the contrary, we have too much of it. We lack creation. We lack resistance to the present.”[1] During the course

A Conspiracy Against the World: Comments on Andrew Culp’s “Dark Deleuze”

Acceleration, Revolution and Money in Deleuze and Guattari’s Anti-Oedipus

The essay moves from the conceptual place where the “philosophical plane faces the chaos” (Deleuze-Guattari/1991).  From a deep distance trapped in the past and the discretion of the dawn, a different thought and a different culture (re)emerge. The book presents

Acceleration, Revolution and Money in Deleuze and Guattari’s Anti-Oedipus

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