glitch

Mille Plateaux – Der Zustand des Ungeformten

Wir haben unser Konzept kürzlich als ultrablack, als non-frequency-music oder einfach als non-music bezeichnet. In der Standard-Musik wird eine punktierte Produktionszeit in den Körper der Musik eingepflanzt, was die non-frequency-music wiederum weiß und deshalb zur pulsierenden rhythmischen Kraft übergeht, eine …

Mille Plateaux – Der Zustand des Ungeformten

Surrounded by Immersion – Means of Post-Democratic Warfare

Geriet Sharma taken from the book Ultrablack of Music »Here, perhaps the frightful expression “consumption of music” really does apply after all. For perhaps this continuous tinkle, regardless of whether anyone wants to hear it or not, whether anyone can …

Surrounded by Immersion – Means of Post-Democratic Warfare

Techno is the Message. Reflections on the Short Circuits of the Electronic Music Industry

taken from the book Ultrablack of Music Introduction – The following fragments constitute a series of reflections on techno music and technoculture. They are presented unsystematically as a testimony to the way we communicate on the internet. The key thread …

Techno is the Message. Reflections on the Short Circuits of the Electronic Music Industry

Don’t Forget to Change The Beat From Time To Time – About Counter-Raving.

taken from the book Ultrablack of Music Considering the current popularity of climate protest movements like Extinction Rebellion, there seems to be a common ground amongst many of our more or less privileged European comrades, that an affective and sensory-based …

Don’t Forget to Change The Beat From Time To Time – About Counter-Raving.

Bill B. Wintermute vienna unground

you can download here https://forceincmilleplateaux.bandcamp.com/album/vienna-unground a) Cut-Up: „unground“ The inability to remember is usually associated with the paralytic symptoms of memory holes; Crypt(-ion), non-place, holey space, crack or column, formations with a degenerate whole, hidden folds or eclaves, ( ) …

Bill B. Wintermute vienna unground

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