[Artetetra, from Metaphysical Graffiti, Cassette Tape] Music & Videoart by Loris Cericola Text by Enrico Monacellihttps://www.youtube.com/watch?v=YXS6xJ2w3M4 Summer nights are a gateway. I catch feelings fast sweating through the crystal lit darkness but even on my very lonesome drifting outwards is […]
Loris Cericola – Metaphysical Graffiti
An interface is choice frozen. Let’s shuck the lid and expose the underneath: YOU ARE NOT INNOCENT: YOUR EXPECTATIONS ARE LEADING TO A BAD LISTENING EXPERIENCE. THIS IS TAP WATER. The truth of a text is never really written anywhere:
Written explanation of the bachelor thesis 1. Introduction „The future is dark, which is best thing the future can be, I think.“ Virginia Woolf[1] „A call to arm Ain’t gonna fight no moreDone fought the kitchen clockAnd the master’s clockAnd
Counter-dancing greets the philosophers Felix Guattari and Gilles Deleuze. It resonates with the principle of rhizomatic action. Rhizomatic dancing links one’s selves, joys and desires coupled with capitalistic technology with those of others in a flat manner. Read here and
0. GOBEKLI TEPE No matter if the scientists, researchers, historians, anthropologists seem to have agreed upon that the ruins in Gobekli Tepe should be considered as a clear proof of a primordial and obscure religion with its temples built around
Corry Shores and Meli̇ke Başak Yalçın 0 Introduction Shortly before his death, Gilles Deleuze discovered a new kind of music: glitch, in particular, Oval’s Systemisch. [Achim] Szepanski contacted Deleuze himself, sending material by Oval and other Mille Plateaux artists, and
From Rhythm to Glitch: Digital Deformation in Deleuze
From November 21, 2021 Synnika Frankfurt presents the installation NONPLUSULTRABLACK in collaboration with the Frankfurt music label Mille Plateaux. Since 1991, the network initiated by Achim Szepanski around the labels Force Inc, Mille Plateaux, Position Chrome, Communism Records and many
NONPLUSULTRABLACK / Installation
Wir haben unser Konzept kürzlich als ultrablack, als non-frequency-music oder einfach als non-music bezeichnet. In der Standard-Musik wird eine punktierte Produktionszeit in den Körper der Musik eingepflanzt, was die non-frequency-music wiederum weiß und deshalb zur pulsierenden rhythmischen Kraft übergeht, eine
Mille Plateaux – Der Zustand des Ungeformten
you can pre-order here Aphàiresis (from the Greek αφαίρεσις, “abstraction”) is an audiovisual work composed between 2017 and 2019, whose aim is to investigate the relationship between materiality and immateriality, between presence and metaphysics. It is from the fruitful relationship
Geriet Sharma taken from the book Ultrablack of Music »Here, perhaps the frightful expression “consumption of music” really does apply after all. For perhaps this continuous tinkle, regardless of whether anyone wants to hear it or not, whether anyone can
Surrounded by Immersion – Means of Post-Democratic Warfare
taken from the book Ultrablack of Music Introduction – The following fragments constitute a series of reflections on techno music and technoculture. They are presented unsystematically as a testimony to the way we communicate on the internet. The key thread
Techno is the Message. Reflections on the Short Circuits of the Electronic Music Industry
taken from the book Ultrablack of Music The vast world Sound is blackened through and through. All sound objects in this world are becoming more and more dark: ten thousand million electronic sounds called »Preset 01«; ten thousand million concrète