CLICKY AESTHETICS: DELEUZE, HEADPHONICS, AND THE MINIMALIST ASSEMBLAGE OF “ABERRATIONS”
It seems fitting, then, that with the “speed” and proliferation of music, artists, and new labels, as well as a “do-it-yourself” mode of production enabled by the new technologies, and the lack of an adequate rhetoric to explain, describe, and […]
CLICKY AESTHETICS: DELEUZE, HEADPHONICS, AND THE MINIMALIST ASSEMBLAGE OF “ABERRATIONS”