NonMusic, PhiloFiction


6 Mrz , 2018  


Man is a rope stretched between the animal and the Superman — a rope over an abyss…What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is a transition… Thus Spoke Zarathustra.

The Tacoma Narrows Bridge, ...

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Documentation, NonMusic

Non-Musicology (from) Rhythm

25 Feb , 2018  

A sequence of non-musicological praxis corresponding to phases of Non-musicology:

Marked by a rebellious apprenticeship in experimental music, the first period of non-musicological praxis is not thoroughly non-musical. Throughout Musicology ?, terribly uncreative secondary works of experimental music were composed.

The unexpected discovery of ‘The Principle of Musical Sufficiency’ occurred ...

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Mashines, NonMusic


17 Feb , 2018  

by Kilian Jörg & Jorinde Schulz (translation: Kilian Jörg)

“I want to be a machine. Arms to grab legs to walk no pain no thought.

I want to be a machine. Arms to grab legs to walk no pain no thought.

I want to be a machine. Arms to grab ...


Manifesto for future ambient

15 Feb , 2018  

Ambient is a music of lived moments.

Ambient recognizes control must be forgone with respect to how the music is encountered (but not how it is composed).

Ambient is experientially discrete, but not musically so.

Ambient acknowledges the deceit that is the promise of repetition.

Ambient is never only music ...

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Dates, NonMusic

Force Inc./NON Event Ultrablack2 plus Lesung 23.2. KOZ FFM

6 Feb , 2018  

Freitag 23.2. KOZ Uni Bockenheim Frankfurt

20 Uhr

Lesung mit Achim Szepanski zu Kapital und Macht im 21. Jahrhundert

23 Uhr

Party: Force Inc. Ultrablack 2

Gerait (Sound Mirror)
Crane AK (NTD 98, Force Inc.)
Paradroid (Force Inc.)

Bill B. Wintermute (Acéphale, Force Inc.)
Dr Walker (Liquid Sky, ...

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The Offshore Economist

1 Feb , 2018  

Offshore How to deal with it: an introduction to all things offshore by the Demystification Comittee


pdf here:The_Offshore_Economist


Foto: Bernhard Weber ...

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11 Dez , 2017  


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Force Inc – Ultrablack in Music

25 Nov , 2017  

“Auch dort zieht der musikalische Strom entlang wie ein Sturzbach vom Rauschen zur Sprache, der an den Quellen des Unglücks entsteht und in Katarakten zur revoltierenden Befreiung hinschießt wie ein schwarzes Magnifikat.” Michel Serres.

Force Inc is back:

The abstract Force Inc. machine. There are all manners of ...

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Obsolete Capitalism Sound System :: Chaos Sive Natura. Electric Tree and Electronic Rhizome

8 Nov , 2017  

The present work does not have a starting point but many starting points, centres of strength and lines of movement that compose it. One of the dynamic points is shown by the title: Chaos Sive Natura. It is a Nietzschean paraphrase of an expression by Spinoza, Deus Sive Natura, God ...

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Dates, NonMusic

Force Inc. – Ultrablackness of Music / Event Frankfurt

28 Okt , 2017  

“I am not of your kind, I belong eternally to the inferior race, I am a beast, a black.” Deleuze/Guattari

17.11.2017 23 Uhr: Tanzhaus West Frankfurt/M. / Gutleutstr. 294

Force Inc. sondiert die schwarze Musikbox. Force Inc. ist Ultrablackness of Music. Force Inc ist die alte/neue Rhythmacht. Mit ihr mutiert ...

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Dates, NonMusic


28 Okt , 2017  

Freitag, 17. November, 22:00 Uhr

brut in der Grellen Forelle, Spittelauer Lände 12, 1090 Wien
Monsterfrau & Crystal Distortion
TEK MATER (Season 1)

Musiktheater / Uraufführung
in deutscher und englischer Sprache

Are You as tired of all this as we are?
wouldn’t it be great to get away from

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Ecological Art and the Resilience of Modernism

27 Jul , 2017  

“Ecological Art is a worldwide art movement, the philosophy of which is based on ecological awareness, the harmonic coexistance of human beings and nature. It is a revitalizing movement in terms of materials used in works of art, which are in many cases, recycled and natural at the same time. ...

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Paradroid-Alien Musik aus der n-ten Dimension

29 Jun , 2017  

Während Kraftwerk noch die Kraftquellen der Industrialisierung anzapfen musste, saugt Paradroid die Informationsflüsse der Kommunikationsindustrien auf, dreht sich durch das digitale Equipment, um sie als clickende, entropische und nonsequenzielle Sequenzen, bei denen das nächste Pattern nicht weiß, was das erste war, als total nervöse Sounds und als angedeutete Strings auszuspucken. ...

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EconoFiction, NonMusic

Interview with Radio Študent, Ljubljana, Slovenia- Otitis Media

13 Jun , 2017  

Questions  – Andrej Tomažin

 Answers – Achim Szepanski

1. In the nineties, you were running the label Mille Plateaux and before that – in the eighties – you were a part of noise/post-punk collective PD and later P16.D4. With Mille Plateux and Force Inc. you’ve incorporated the Deleuzian-Guattarian rhizomatic (and ...

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