NonMusic

Don’t Forget to Change The Beat From Time To Time – About Counter-Raving.

taken from the book Ultrablack of Music Considering the current popularity of climate protest movements like Extinction Rebellion, there seems to be a common ground amongst many of our more or less privileged European comrades, that an affective and sensory-based …

Don’t Forget to Change The Beat From Time To Time – About Counter-Raving.

Die unerhörte Sprache des Riot. Joshua Clovers Riot.Strike.Riot.

“Die Riots kommen; sie sind bereits da. Weitere sind unterwegs, daran besteht kein Zweifel. Und sie verdienen eine angemessene Theorie.” – Joshua Clover (2016) “You will notice the weather only when it starts to die.” – Sean Bonney (2016) Riots …

Die unerhörte Sprache des Riot. Joshua Clovers Riot.Strike.Riot.

Dirty Pictures Ambivalent (Mille Plateaux) Video by Frédéric Neyrat

„Dirty Pictures“ is the project of Russian Producer Lёps Dubasov. He studied music since the early 90s. Two main elements characterize his music until today: Experiment and imagery. The Album „Segregation“ is an extraordinary example for the new concept of …

Dirty Pictures Ambivalent (Mille Plateaux) Video by Frédéric Neyrat

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

taken from bluelabyrinths.com Since the initial article on SOPHIE last week the idea of anti-hauntology has gained a significant amount traction across various internet platforms producing a variety of responses, both positive and negative. In some regards, the concept itself …

Anti-Hauntology: SOPHIE, Stiegler and the Ruins of Accelerationism

Anti-Hauntology: Derrida and Stiegler on Dancing With Ghosts and Education

taken from bluelabyrinths.com in a small ghost town, there’s a little arcadewhere the poltergeists play their video games In my previous post I argued that it was necessary to distinguish Fisher and Derrida when considering hauntology, especially when criticising it. …

Anti-Hauntology: Derrida and Stiegler on Dancing With Ghosts and Education

EIne Kunst in der Katastrophe – Die umzingelte Party

taken from Sūnzǐ Bīngfǎ Mathilde Girard Der folgende Artikel ist eine Meditation über die Gegenwart, die Unmöglichkeit zu demonstrieren, die Körper, den Tod, seine Unvorhersagbarkeit, die Katastrophe, die unsere Welt ist, aber auch die Party und ihre politische Dimension, und …

EIne Kunst in der Katastrophe – Die umzingelte Party

(Cybernetic-)‘Post-Pop‘: affect art(s) & (emotional) self-governing

»The relentless unity of the culture industry bears witness to the emergent unity of politics.« —Th. W. Adorno & M. Horkheimer, Dialectic of Enlightment «According to the tenets of Hyperstition, there is no difference in principal between a universe, a …

(Cybernetic-)‘Post-Pop‘: affect art(s) & (emotional) self-governing

Bill B. Wintermute vienna unground

you can download here https://forceincmilleplateaux.bandcamp.com/album/vienna-unground a) Cut-Up: „unground“ The inability to remember is usually associated with the paralytic symptoms of memory holes; Crypt(-ion), non-place, holey space, crack or column, formations with a degenerate whole, hidden folds or eclaves, ( ) …

Bill B. Wintermute vienna unground

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Ich, Achim Szepanski (Wohnort: Deutschland), verarbeite zum Betrieb dieser Website personenbezogene Daten nur im technisch unbedingt notwendigen Umfang. Alle Details dazu in meiner Datenschutzerklärung.
Datenschutz
Ich, Achim Szepanski (Wohnort: Deutschland), verarbeite zum Betrieb dieser Website personenbezogene Daten nur im technisch unbedingt notwendigen Umfang. Alle Details dazu in meiner Datenschutzerklärung.