Corry Shores

What Is It Like To Become a Rat? Animal Phenomenology through Uexküll and Deleuze & Guattari

We respond to a phenomenological challenge set forth in Thomas Nagel’s “What Is It Like  To Be a Bat?,” namely, to seek a method for obtaining a phenomenological description of non-humananimal experience faithful to an animal’s first-person subjective perspective. First,

What Is It Like To Become a Rat? Animal Phenomenology through Uexküll and Deleuze & Guattari

From Rhythm to Glitch: Digital Deformation in Deleuze

Corry Shores and Meli̇ke Başak Yalçın 0 Introduction Shortly before his death, Gilles Deleuze discovered a new kind of music: glitch, in particular, Oval’s Systemisch. [Achim] Szepanski contacted Deleuze himself, sending material by Oval and other Mille Plateaux artists, and

From Rhythm to Glitch: Digital Deformation in Deleuze

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