deleuze/guattari

Quant-Theorie: Aufsätze zu Baudrillard, Deleuze/Guattari und Laruelle

Quant-Theorie: Zwischen Pataphysik, Quanten-Science und Philosophie Exkurs zum Begriff der Relation Exkurs zu Thomas Nails „Being and Motion“ Laruelle: Adorno und Laruelle: Das Nichtidentische und das Reale Ein philosophischer Dissident Aspekte der Non-Standard-Philosophie Das Ende der dialektischen Konstellation Das Reale …

Quant-Theorie: Aufsätze zu Baudrillard, Deleuze/Guattari und Laruelle

Ultra-blackness in Music. A Non-Mixology

What is Rhythm? What is Rhythm? Rhythm is a temporally extended pattern in which information-transmitting processes take place. It can be described by the following parameters: spatial (distance, movement, neighbourhood), temporal (speed, limit of human perception, infinite time scales versus …

Ultra-blackness in Music. A Non-Mixology

David Foster Wallace’s Infinite Jest. The intoxicating beauty of emptiness.

Those who live in closure or enclosure consume the supply and parasitise on that which justifies the closure of the system. It is the happy parasite who closes the system and for whom it is closed. Now, for Erdedy, the …

David Foster Wallace’s Infinite Jest. The intoxicating beauty of emptiness.

Subjektivität und Maschinisierung. Von Adorno zu Deleuze/guattari

Subjektivät bei Adorno und Anders Das Dividuum ist der Hohn auf den Anti-Narziss. Es ist die Ausgeburt der Hyper-Dialektik. Eins teilt sich in Zwei. Kann sich der Narziss im Spiegelbild nur zweimal verlieren, indem die Ursache zur Wirkung und das …

Subjektivität und Maschinisierung. Von Adorno zu Deleuze/guattari

Subjectivity and Machines: From Adorno to Deleuze/Guattari

1) Subjectivity: Adorno and Günther Anders The dividuum is the mockery of the anti-narcissist. It is the spawn of the hyper-dialectic. One divides into two. If the narcissist can only lose himself twice in the mirror image, in that the …

Subjectivity and Machines: From Adorno to Deleuze/Guattari

The Technocommercium: Assemblages of the Mechanosphere

Everything becomes imperceptible, everything is becoming-imperceptible on the plane of consistency, which is nevertheless precisely where the imperceptible is seen and heard. It is the Planomenon, or the Rhizosphere, the Criterium (and still other names, as the number of dimensions …

The Technocommercium: Assemblages of the Mechanosphere

Capital theory with Deleuze/Guattari or the Anarchy of Machines – 50 years Anti-Ödipus

The flow of subjective labor and the flow of objective capital. At the moment, more precisely, in the passage of time (which has extended over longer historical periods) in which intrinsically contingent encounters (those of the flows of money-capital and …

Capital theory with Deleuze/Guattari or the Anarchy of Machines – 50 years Anti-Ödipus

What Is It Like To Become a Rat? Animal Phenomenology through Uexküll and Deleuze & Guattari

We respond to a phenomenological challenge set forth in Thomas Nagel’s “What Is It Like  To Be a Bat?,” namely, to seek a method for obtaining a phenomenological description of non-humananimal experience faithful to an animal’s first-person subjective perspective. First, …

What Is It Like To Become a Rat? Animal Phenomenology through Uexküll and Deleuze & Guattari

From One Conjuncture, the Other, the Afterwardsness of Guattari and Deleuze

This text addresses some difficulties encountered reading Deleuze and Guattari “in situation,” in order to suggest a “symptomal reading” of their historico-conceptual moment. It first reexamines the distinction between a “history of revolutions” and “revolutionary-becoming,”in order to explain the meaning …

From One Conjuncture, the Other, the Afterwardsness of Guattari and Deleuze

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