This interview was done in 1994, when Achim Szepanski founded Mille Plateaux after a long correspondence with Gilles Deleuze. Ten years later, in 2004, the label was destroyed by a kind of mafia-assemblage, consisting of the distributor EFA, the german […]
Katja Diefenbach interviews Achim Szepanski (FORCE INC, MILLE PLATEAUX, RIOT BEATS)
PDF in Deutsch Cox.Soundcultures.Deutsch (This article appeared in German translation as “Wie wird Musik zu einem organlosen Körper? Gilles Deleuze und experimentale Elektronika” in Soundcultures: Über digitale und elektronische Musik, ed. Marcus S. Kleiner and Achim Szepanski [Frankfurt: Suhrkamp
§ introduction to the Deleuzian registers and their epistemological correlates: actuality –infinite comprehension, potentiality –finite comprehension, and virtuality –indefinite comprehension (‘Let us pose a question quid juris [which law applies]:…) Deleuze inaugurates this portion of the Introduction by explicitly relating
“There are ideas in cinema that can only be cinematographic. These ideas are engaged in a cinematographic process and are consecrated to that process in advance” – Deleuze, What is a creative act? […] Insofar as having an idea “in”
14 Thesen von Alexander Galloway gemäß Laruelle: 1) Das mediale Prinzip: Das Reale ist kommunizierbar, und das Kommunizierbare ist real. 2) Für das Standard-Modell der Philosophie ist alles, was gegeben ist, gespalten. 3) In der Non-Standard-Philosophie ist das Eine eine
Stichworte zu Alexander Galloways “Laruelle. Against The Digital”