Bienoise – Most Beautiful Design (Mille Plateaux 1)

16 Nov , 2018  

“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit – all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of ...

, , , , ,


Manifesto for future ambient

15 Feb , 2018  

Ambient is a music of lived moments.

Ambient recognizes control must be forgone with respect to how the music is encountered (but not how it is composed).

Ambient is experientially discrete, but not musically so.

Ambient acknowledges the deceit that is the promise of repetition.

Ambient is never only music ...

, , , ,


Ultrablackness of Music/Feindliche Übernahme/Leseprobe

27 Mrz , 2017  

Andrzej Steinbach, Achim Szepanski

Ultrablack of Music: Feindliche Übernahme

published by spectorbooks


pdf hereDokument0 ...

, , , ,

EconoFiction, Mashines

Bemerkungen zu “How Noise Matters to Finance”

10 Mrz , 2017  

Nicholas A. Knouf weist in seinem lesenswerten Buch How Noise Matters to Finance zuallererst auf die traditionellen Vorstellungen über den Aktienmarkt hin, man denke an die Steuerung des Marktes durch die berühmte unsichtbare Hand, an die Träume vom Gleichgewicht, Transparenz, erklärbaren Preisbewegungen und korrekten Preisen, die die Fundamentaldaten der Unternehmen ...

, , , , ,



20 Jun , 2016  

#ermanoise 1 Vogelzwitschern 2 Hinterhof 3 cordon sanitaire (Stop beeing creative) 4 This is the Sound of Depression 5 This is the Sound of Negativism 6 Stadthonigbienenetat 7 Multiklasse, gestört 8 ASMRec.fieldburnout 9 Rumination 10 Die Waffen der Stille 11 Gewitte(R) 12 Nacht 13 EU-Stadion 14 Wiedergutwording - Wetterdatensonifikation 15 ...

, , ,

Documentation, NonMusic

Sound Hacking: Further Reflections on Noise and Noncommunication

22 Jan , 2016  

We have become so accustomed to violence through entertainment that transgression itself has become merely another capitalist performance. How then do we elevate art, how can it be a reaction to the Other instead of its medium? How must we act when yesterday’s transgressions are today’s commodities? – Andreas Burckhardti ...

, ,