Frédéric Neyrat Spectral Composition: on Spectral Music, Drone Metal, and Electronic Music
Achim Szepanski Ultrablack of Music
Holger Schulze Sonic Thanaticism. A Sensology of The Sonic Capital
Algorithmic Committee The Scream and the Sound of the Flesh
Marcus Schmickler&Julian Rohrhuber Politics of Frequency
Stefan Paulus Deterritorializations – Field Recordings, Recipes, ...
The question of rhythm is a social, a cultural, and a political question. How to find a rhythm? And, more importantly, how can the economy find a rhythm, without tending towards the mastering of chaos and the prediction of unexpected events? In his (onto)political discussion of The Power at the ...
Man is a rope stretched between the animal and the Superman — a rope over an abyss…What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is a transition… Thus Spoke Zarathustra.
The Tacoma Narrows Bridge, ...
Ambient is a music of lived moments.
Ambient recognizes control must be forgone with respect to how the music is encountered (but not how it is composed).
Ambient is experientially discrete, but not musically so.
Ambient acknowledges the deceit that is the promise of repetition.
Ambient is never only music ...
Siks, Frankfurt: Donnerstag 6.4., ab 19:00 Uhr
The Ultrablack of Music
In einem parcours de force durchschreitet Achim Szepanski in dem kurzen Text “Ultrablackness in der Musik. Eine Non-Remixologie” Aspekte der elektronischen Musik bei Deleuze/Guattari und François Laruelle, fragt nach den Verbindungen und Verschiebungen zwischen Noise und Rhythmus ...