Eine Rhythmacht ist instabil, ihre Theorie ist auf das Ereignis bezogen, sodass die Axiome der Nicht-Musikologie immer vorläufig sind, während gleichzeitig ihre theoretische Praxis von den Samples abhängig ist, die zur Verfügung stehen, und zugleich durch die Schaffung neuer Samples überprüfbar wird. Die Rhythmacht wird durch die axiomatische Anti-Kausalität des ...
Was ist Noise? Auf der einen Seite ist er beobachter-relativ, sodass man ihn durch technische Systeme, die seine Grade der Randomness bzw. der algorithmischen Funktionen beobachten, messen kann, auf der anderen Seite ist er beobachter-unabhängig, wenn er als radikale Kontingenz oder als Hyperchaos definiert wird. Noise bleibt hier gegenüber jeder ...
Für Gilles Deleuze befindet sich die Kunst in einer ständigen Spannung, insofern sie zwischen den Polen Chaos und Ordnung oszilliert und ständig zu schizophrenen Aktualisierungen kommen muss, wenn sie aus der Triangulation ausbrechen will. Diese negentropische Metastabilität nimmt bei Deleuze die Form der inklusiven Disjunktion (weder … noch/ dieses oder ...
Chaosmose, Deleuze, deleuze/guattari, Mimikry, Noise, non-art, non-music, Schizo-Attraktor
Clicks & Cuts
With Deleuze or Boulez we can speak of rhythm in terms of non-periodic clicked music. There is a transversal disjunction, which is articulated in the track intern and in relation to other tracks, and this achievs the transition of „Clicks and Cuts“. Transversality is originally a topological ...
blackness, clicks & cuts, dark glitch, non-future, non-music
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit – all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of ...
Project for book & compilation: Ultrablackness of Music
When we look back it seems that Mille Plateaux was always dark. We never confirmed techno-utopism, accelerationism or Eshuns afrofuturism. Rhythm, not speed was the term. As we wrote: »If Rhythm is distinct from metrics, we enter the field of non-frequency politics, ...
art, derivative, electronics, featured, finance, force inc, mille plateaux, non-music, technology
Project for book & compilation: Ultrablackness of Music
When we look back it seems that Mille Plateaux was always dark. We never confirmed techno-utopism, accelerationalism or Eshuns afrofuturism. Rhythm, not speed was the term. As we wrote: »If Rhythm is distinct from metrics, we enter the field of non-frequency politics, ...
art, derivative, electronics, finance, force inc, mille plateaux, non-music, technology
Reflecting on the last thirty years of techno music, I am not alone thinking that it has decelerated. By deceleration, I mean that since the 1980s the beat per minutes of techno music – which varies, usually, between 120 and 160 bpm – slowed in pace. Techno has become somehow ...
acceleration, breaks, featured, non-music, speed, techno, Techno Decelerationism, technoculture, texture
A sequence of non-musicological praxis corresponding to phases of Non-musicology:
Marked by a rebellious apprenticeship in experimental music, the first period of non-musicological praxis is not thoroughly non-musical. Throughout Musicology ?, terribly uncreative secondary works of experimental music were composed.
The unexpected discovery of ‘The Principle of Musical Sufficiency’ occurred ...
ecology of Rhythm, non-art, non-laruelle, non-music, non-Rhythm, Rhythmight
Ohne Szepanski hätte Techno-Kultur vielleicht nicht mal eine Haltung entwickelt, umgekippt wäre sie vermutlich aber ganz. Eine Theorie elektronischer Musik kam an ihm nie vorbei. Mille Plateaux folgte und war lange Zeit eins der prägendsten Label für jeden, der auch nur halb an den Fortschritt neuer Technologien und die Entwicklung ...
David Foster Wallace, literature, mille plateaux, non-music, Saal 6
Nothing is more airy than a bubble.
check here ...
Ambient is a music of lived moments.
Ambient recognizes control must be forgone with respect to how the music is encountered (but not how it is composed).
Ambient is experientially discrete, but not musically so.
Ambient acknowledges the deceit that is the promise of repetition.
Ambient is never only music ...
Freitag 23.2. KOZ Uni Bockenheim Frankfurt
20 Uhr
Lesung mit Achim Szepanski zu Kapital und Macht im 21. Jahrhundert
23 Uhr
Party: Force Inc. Ultrablack 2
DJs
Gerait (Sound Mirror)
Crane AK (NTD 98, Force Inc.)
Paradroid (Force Inc.)
LIVE
Bill B. Wintermute (Acéphale, Force Inc.)
Dr Walker (Liquid Sky, ...
capital, finance, Kapital und Macht, marxism, non-music, Ultrablack
If accelerationism has a key idea, it is that it is either impossible or undesirable to resist or negate the development of the commodity economy coupled with technology. Rather, it has to be pushed harder and faster, that it has to change more rather than less.
It is an ...
acceleration, Black Accelerationism, Kodwo Eshun, non-music, non-philosophy
“I am not of your kind, I belong eternally to the inferior race, I am a beast, a black.” Deleuze/Guattari
17.11.2017 23 Uhr: Tanzhaus West Frankfurt/M. / Gutleutstr. 294
Force Inc. sondiert die schwarze Musikbox. Force Inc. ist Ultrablackness of Music. Force Inc ist die alte/neue Rhythmacht. Mit ihr mutiert ...
“Ecological Art is a worldwide art movement, the philosophy of which is based on ecological awareness, the harmonic coexistance of human beings and nature. It is a revitalizing movement in terms of materials used in works of art, which are in many cases, recycled and natural at the same time. ...
Detroit may not be dead, but the corpse has already been consumed. Detroit is the site for symmetrical fantasies of dystopian social collapse and urban disintegration, on the one hand, and utopian urban gardening and the ‘greening’ of post-Fordism, on the other. It forms a type of national sacrifice zone ...
anti-accelerationism, detroit techno, featured, Kodwo Eshun, non-art, non-future, non-music, underground resistance
Force Inc. ist zwar noch keine zehn Jahre alt, aber fast. Als das Label begann, tauchte zwischen den ersten Plus8-Platten auf einmal eine Alternative dieses Underground Techno Sounds aus Orten auf, die weder weit weg noch besonders aufregend klangen. Ganz im Gegensatz zur Musik. Was wir heute als Techno oder ...
clicks & cuts, deleuze/guattari, force inc, mille plateaux, non-music, techno
A) Nietzsche und die Musik
Nietzsches Werk Die Geburt der Tragödie beschäftigt sich eingehend mit Musik. Das Buch erklärt, dass die Tragödie aus dem Dithyrambos entstanden ist, wobei die Lyrik getanzt wurde und in das Drama einging, in dem der Musik die Aufgabe zukam, die Seele über die Herstellung von ...
Lexicon, NonMusic, NonPolitics
“Sensory language leaves us with no habit for lying. We are hostile aliens, immune from dying.” – The Spaceape
If accelerationism has a key idea, it is that it is either impossible or undesirable to resist or negate the development of the commodity economy coupled with technology. Rather, it has ...
acceleration, Afrofuturism, blackness, Kodwo Eshun, non-music
… Il primo motivo dell’importanza dell’azione di Szepanski, dunque, è legato al movimento verso l’esterno della filosofia deleuziana – un pensiero-rostro che uncina l’ electro , la ciberne- tica, così già predisposto nella sua stessa essenza astratta. Ne-gli anni novanta, infatti, si trattava di collegare tale gesto alle istanze artistiche ...
Music is an un-differentiated language.
Michel Serresi
Nevertheless, and even more clearly, what general economy defines first is the explosive character of this world, carried to the extreme of explosive tension in the present time.
George Batailleii
A theory is self-destroying, in this logico-objective respect, if its content offends against ...
Deleuze, deleuze/guattari, desonance, non-music, non-philosophy
Mashines, NonMusic, PhiloFiction
Passing now from the genus to the species, I have to denounce as the most inexcusable and scandalous noise the truly infernal cracking of whips in the narrow resounding streets of towns; for it robs life of all peace and pensiveness.
A. Schopenhauer
0.
Or rather, what did Schopenhauer hear ...
