For the Automatisme – Alter- album. I am inspired by how the art historian Nicolas Bourriaud is defining the Altermodernism. Bourriaud is understanding the term “Alter” as a way to mean “other”. The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this ...
Project for book & compilation: Ultrablackness of Music
When we look back it seems that Mille Plateaux was always dark. We never confirmed techno-utopism, accelerationism or Eshuns afrofuturism. Rhythm, not speed was the term. As we wrote: »If Rhythm is distinct from metrics, we enter the field of non-frequency politics, ...
art, derivative, electronics, featured, finance, force inc, mille plateaux, non-music, technology
Project for book & compilation: Ultrablackness of Music
When we look back it seems that Mille Plateaux was always dark. We never confirmed techno-utopism, accelerationalism or Eshuns afrofuturism. Rhythm, not speed was the term. As we wrote: »If Rhythm is distinct from metrics, we enter the field of non-frequency politics, ...
art, derivative, electronics, finance, force inc, mille plateaux, non-music, technology
The present work does not have a starting point but many starting points, centres of strength and lines of movement that compose it. One of the dynamic points is shown by the title: Chaos Sive Natura. It is a Nietzschean paraphrase of an expression by Spinoza, Deus Sive Natura, God ...
In einem parcours de force durchschreitet Achim Szepanski in dem kurzen Text “Ultrablackness in der Musik. Eine Non-Remixologie” Aspekte der elektronischen Musik bei Deleuze/Guattari und François
deleuze/guattari, electronics, Kodwo Eshun, non-art, non-laruelle, ultrablackness in der musik
