“I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth. The only truth I can understand or express is, logically defined, a […]
John-Robin Bold “Demonstrations”
It must be taken into consideration that Earth is an assemblage; in isolation it is in a continuous becoming-toward-death. It is only through a becoming-toward-knowledge in which an entering into unheard expressive territories unveils a tuning-bridge to the plane of
Connegactive-Approaches, to the Production of Vibrational Matter
Thomas Köner – Motus (Mille Plateaux 6: CD, DLP, Digital) you can order here and here listen here Release Date: 10.3.2020 ” Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way
MP8 John-Robin Bold (Mille Plateaux) Where do we find a point of such realization of a social that it is also the point of its collapse? It’s exactly like the stereophonic effect. We are all obsessed – and not only
Jonh-Robin Bold Album on Mille Plateaux out Now
PreSales for Mille Plateaux Albums 2020 on Bandcamp here MP4 Teruyuki Kurihara. Frozen Dust (digital, vinyl) “Frozen Dust” is an album unified by the theme of “destruction” and “creation.” Inspired by the power of nature; we’ve expressed how we humans
A) Nietzsche and the music Nietzsche’s work Die Geburt der Tragödie deals in depth with music. The book explains that the tragedy originated in the dithyrambos, where lyric poetry was danced and entered into the drama in which music was
For the Automatisme – Alter- album. I am inspired by how the art historian Nicolas Bourriaud is defining the Altermodernism. Bourriaud understands the term “Alter” as a way to mean “other”. The altermodernism would be another modernity that is different
ALTER- : A REACTION TO THE ALTERMODERNISM IN SOUND ART
Prologue: “Something did not work,” a replica of G.S. said, “we do not know why exactly. Some say that the “vessels” could not contain the data and thus were broken. The data were dispersed. Many of them returned to their
The Messianic Messing-Up – Notes on Gianluca Iadema’s Aphàiresis
The dimension of the #future has disappeared. We’re trapped in the 20th century… What it means to be in the 21st century is to have 20th century culture on hi-res screens/ distributed by high-speed Internet, actually.”1 The future has been
error & imperfection in techno-psychology (review of „Gianluca Iadema – Aphàiresis“)
Mille Plateaux MP3 Artist: Gianluca Iadema Title: Aphàiresis buy here: watch here Aphàiresis “Futuro anteriore/Presente continuo” Author: Gianluca Iadema Aphàiresis is a series of video music works that investigates the relationship between Materiality and Immateriality, between Presence and Metaphysics. It
Release on Mille Plateaux out! Gianluca Iadema: Aphàiresis
»Eine Politik der Prekarität […] wird sich vom Zentrum weg bewegen müssen, niedrig fliegen und alle ihre Kräfte lateral sammeln müssen, um die zusammenfallenden Rhythmen von Tanz und Finanz zu animieren« (Martin 2015: 212). Vermutlich gibt es, wie Randy Martin
Tanz den Tanz (Ultrablack of Music 7)
Die sich auf den französischen Philosophen François Laruelle beziehende Nicht-Musikologie benutzt die klassische Musikwissenschaft und die existierende Musik allenfalls als Material. Und auch die Nicht-Musiker beginnen damit, die Diskurse der Wissenschaft und die Musik auf reines Material zu reduzieren, um
Rhythmächte (Ultrablack of Music 5)