SAD ASIAN GIRLS
Before getting right into the work of SAD ASIAN GIRLS CLUB and some of the ideas and politics behind what SAGC produces, could you tell us a little bit about how you all came together and started this project? Has […]
non-art
Bidding farewell to the great history of music
In the following you will read a story about the change in music. One can certainly tell various stories, but certainly also this one that I have in mind. People could describe this story as tragic, because since music once
Bidding farewell to the great history of music
How Do You Make Music a Body without Organs? Gilles Deleuze and Experimental Electronica – Deutsch/english
PDF in Deutsch Cox.Soundcultures.Deutsch (This article appeared in German translation as “Wie wird Musik zu einem organlosen Körper? Gilles Deleuze und experimentale Elektronika” in Soundcultures: Über digitale und elektronische Musik, ed. Marcus S. Kleiner and Achim Szepanski [Frankfurt: Suhrkamp
Sound Hacking: Further Reflections on Noise and Noncommunication
We have become so accustomed to violence through entertainment that transgression itself has become merely another capitalist performance. How then do we elevate art, how can it be a reaction to the Other instead of its medium? How must we
Sound Hacking: Further Reflections on Noise and Noncommunication
Between Cinema & Philosophy
“There are ideas in cinema that can only be cinematographic. These ideas are engaged in a cinematographic process and are consecrated to that process in advance” – Deleuze, What is a creative act? […] Insofar as having an idea “in”
A sequence of non-musicological praxis corresponding to phases of Non-musicology:
A sequence of non-musicological praxis corresponding to phases of Non-musicology: Marked by a rebellious apprenticeship in experimental music, the first period of non-musicological praxis is not thoroughly non-musical. Throughout Musicology ?, terribly uncreative secondary works of experimental music were composed.
A sequence of non-musicological praxis corresponding to phases of Non-musicology:
Taking from behind
TAKING FROM BEHIND ZAFER ARACAGÖK 09/10/2015 – 07/11/2015 ALAN Istanbul presents Zafer Aracagök’s new show Taking From Behind! With his new show, Taking from Behind, Zafer Aracagök forces the line and the watercolour to a realm of figural trajectories. Finding
Immanent Non-Musicology: Deleuze/Guattari vs. Laruelle
In this essay we try to explore non-representationalism in music, which has to be connected to the question of non-representational aesthetics. The philosophers of immanence – Deleuze/Guattari and Laruelle – have something in common: Since the mid- 1980s they reject
Immanent Non-Musicology: Deleuze/Guattari vs. Laruelle
Pointe und Aphorismus als Erkenntnisschöpfer
„Der Witz ist der verkleidete Priester, der jedes Paar kopuliert.“1 Jean Paul Im folgenden Beitrag geht es um zwei elitäre und widerspenstige Geschwister im Geiste, den Aphorismus und die Pointe, und darum, wie die beiden Kulturtechniken als Gattung und als
Pointe und Aphorismus als Erkenntnisschöpfer
Non-painting
1. Take painting as an example. A painter makes paintings. Propped against his studio wall, their numbers multiply. At a given point, a creative threshold that causes him to hesitate, he might call in his dealer, if he is lucky
DER MERZ-HASE: Phänomenologie eines Schattentiers – Ein Aufruf!
Der Merz-Hase ist ein scheues Wesen. Das rechtfertigt allerdings in keiner Weise, dass sein Wirken, ja seine bloße Existenz in der wissenschaftlichen Öffentlichkeit hartnäckig beschwiegen wird. Als regelrecht skandalös empfinden wir es, wenn man den Merz-Hasen als Untergattung des von
DER MERZ-HASE: Phänomenologie eines Schattentiers – Ein Aufruf!