Achim Szepanski has been one of the “heroes” of the ‘90s thanks to the creation and the visionary promotion of his Mille Plateaux (1994-2004), the famous record label based in Frankfurt. Due to his peculiar philosophical theory applied to the […]
Technodeleuze and Mille Plateaux. Achim Szepanski’s Interview (1994-1996)
[Der folgende Text wurde ursprünglich anläßlich der italienischen Übersetzung der späten Schriften Louis Althussers über den „aleatorischen Materialismus“ verfaßt, die als Sul materialismo aleatorio, herausgegeben von V. Morfino und L. Pinzolo (Mailand: Unicopoli, 2000), veröffentlicht wurden. Strukturiert als ein „Lexikon“,
Meine Damen und Herren, wohl in der Absicht, daß es herausfordernd oder trotzig klinge, hat der Veranstalter für diese Diskussion den theatralischen Titel gewählt: „Nein, wir lieben dieses Land und diese Leute nicht“. Aber wer tut das schon. Wir sind
In many respects, it would make sense to read Andrzej Steinbach’s series “Ordinary Stones” in continuity with his last work, “Figur I, Figur II”1. The works bear similarities, perhaps even obvious ones, but approaching this work via analogy would mean
Human Clay, Hardened Clay, Ordinary Stones english/german
The aim of this essay is to interrogate the relationship between Deleuze’s concepts of Idea, creativity, and control societies, alongside its interpretation by Paul Patton and Godard’s efficacy at giving these concepts their proper audio-visual form in cinema. By means of
Panayotis Michaelides and John Milios Abstract : In this paper, the origins of some of Joseph Alois Schumpeter’s views are traced back to Rudolf Hilferding’s Finance Capital , regarding the Schumpeterian hypothesis and the separation of roles between capitalists, entrepreneurs
Did Hilferding Influence Schumpeter?
Alfie Bown: Your book is just 77 pages long but your project and its scope is huge. Your aim has been to recover Deleuze from those who saw him as the philosopher of “joyous affirmation” and who experienced his work
A “closed world” is a radically bounded scene of conflict, an inescapably self-referential space where every thought, word, and action is ultimately directed back toward a central struggle. It is a world radically divided against itself. Turned inexorably inward, without
Closures: A Non-Linear Sketch of the Bunker State
… Il primo motivo dell’importanza dell’azione di Szepanski, dunque, è legato al movimento verso l’esterno della filosofia deleuziana – un pensiero-rostro che uncina l’ electro , la ciberne- tica, così già predisposto nella sua stessa essenza astratta. Ne-gli anni novanta, infatti,
Technodeleuze e Mille Plateaux
…Covenant technology? That’s the fusion of covenant theology and the will to technology as the essence of the American Republic, from its religious origins to its technocratic future. Here we are in the presence of a momentous alliance of two
Arthur Kroker: BORN AGAIN IDEOLOGY Religion, Technology, and Terrorism
»Ob den Linken das nun gefällt oder nicht: Sie waren früher alle Marxisten. Zumindest hat keiner gegen dies Etikett protestiert. Hätte er, würde man ihn kennen, denn er wäre aufgefallen. Heute sind die vielen Marxisten alle verschwunden. Warum wird dieser
In the early 1990s François Laruelle wrote an essay on James Turrell, the American artist known for his use of light and space.1 While it briefly mentions Turrell’s Roden Crater and is cognizant of his other work, the essay focuses