taken from ediciones-ineditos
In the wake of the riot of Mexican-Americans in East Los Angeles on August 29, 1970 (with an encore on September 16), the various mouthpieces of the “left” have as usual raised their tiresome duststorm of protest, which never fails to bury the real significance of ...
chicano riot, commodity, Insurrection, Riot, spectacle, surplus
Attila & Raoul Kotányi & Vaneigem
Internationale Situationniste, marxism, non-philosophy, spectacle, technology, traffic circulation, urbanism
Documentation, Mashines, NonPolitics, PhiloFiction
Transkription eines Vortrags der im Oktober 2015 bei der ‘retrospektive’ [event] des “institut de destabilisation” im MultiVersum (Offenbach) gehalten wurde. Sowohl Skript als auch die Aufnahme waren zwischenzeitlich verloren und sind nun wieder aufgetaucht:
„Womöglich gilt es darzulegen, dass die Politik, die gegenwärtig das affektive Interesse an sich bindet, als ...
Bataille, blödmaschinen, derrida, determination-in-der-letzten-instanz, dividuum, kulturindustrie, non-future, spectacle, technology, time
Kunstverein Familie Montez & Silver Series präsentieren
Dada DADA!
Silver Series Super Dada Dada Show
Dr. Robert Mario Bock // Sputnik the Cat // Marc Behrens // NEGATIVLAND // ephemeroL
Jörg Simon // Seelendisco // Aziz Onuk // Joachim Durrang // Achim Szepanski
Macke // DADA Disco James Dean Brown ...
Kunstverein Familie Montez & Silver Series präsentieren
DADA dada!
Silver Series Xanaxax Super Dada Dada Show
V.E.X. // julakim types wild // Fey/Pluntke // Achim Szepanski // Simon Kürzbar // Das Bratzophon // Miss Tula Trash
Trashland // Be Poet // Sennf // THE IASCOPE // Konrad Hasse meets KBK ...
Yet, let us add that the accumulated capital is that of the Subject who has become a total image, immersed in a world of information where reality is nothing but a copy of copies. One of the first texts to begin a critique of representationalism, of the production of reality ...
The growth of computational, media and communications technology has conditioned a change in mass culture. The consumerist subject fabricated by media has become the object of desire. The capitalist subject auto-replicates as the consumer, whose life is a re-enactment of the vision of the human produced by advertising and entertainment ...
